Matt Sørensen
http://www.lastfm.es/user/Lv-varito
Matt Sørensen
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v-e-n-u-s-infurs:

Vår
v-e-n-u-s-infurs:

Vår
Alt-J ∆ "Bloodflood pt. II" NPR First Listen Live @ (Le) Poisson Rouge NYC 9/2/14
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americanapparel:

Tomas in classic menswear. Milan, December 2012.
americanapparel:

Tomas in classic menswear. Milan, December 2012.
americanapparel:

Tomas in classic menswear. Milan, December 2012.
Kate Bush - Wuthering Heights - Official Music Video - Version 1
Ready For Your Love
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ryanpanos:

Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
ryanpanos:

Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
ryanpanos:

Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
ryanpanos:

Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
ryanpanos:

Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
ryanpanos:

Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
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thelandofwtf:

I’m just gonna leave this here.http://thelandofwtf.tumblr.com
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Karl Lagerfeld’s punching trunk. —KL, photo © Louis Vuitton.
six iconoclasts celebrates louis vuitton’s monogram. 
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interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
interdimensional-wanderlust:

opticallyaroused:

Mars

god damnit Mars, mystifying me one picture at a time
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wishfor-infinity:


Today a part of me has died. And I cannot mourn, because I’ve forgotten all the synonyms of “sadness”. Now, all that I can do without you is replace you.

Tom à la ferme (dir. Xavier Dolan)
wishfor-infinity:


Today a part of me has died. And I cannot mourn, because I’ve forgotten all the synonyms of “sadness”. Now, all that I can do without you is replace you.

Tom à la ferme (dir. Xavier Dolan)
wishfor-infinity:


Today a part of me has died. And I cannot mourn, because I’ve forgotten all the synonyms of “sadness”. Now, all that I can do without you is replace you.

Tom à la ferme (dir. Xavier Dolan)
wishfor-infinity:


Today a part of me has died. And I cannot mourn, because I’ve forgotten all the synonyms of “sadness”. Now, all that I can do without you is replace you.

Tom à la ferme (dir. Xavier Dolan)
wishfor-infinity:


Today a part of me has died. And I cannot mourn, because I’ve forgotten all the synonyms of “sadness”. Now, all that I can do without you is replace you.

Tom à la ferme (dir. Xavier Dolan)
wishfor-infinity:


Today a part of me has died. And I cannot mourn, because I’ve forgotten all the synonyms of “sadness”. Now, all that I can do without you is replace you.

Tom à la ferme (dir. Xavier Dolan)
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americanapparel:

lombard chair by charles hollis jones
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